The article offers an analysis of Avetik Isahakyan’s narrative cycle, showing how the Armenian writer elevates historical and mythical figures into universal symbols of spiritual and existential quest.Through a comparative approach, it reveals the deep unity of the stories : Lilith, Saadi, Khayyam, Genghis Khan, and Li Taibai, each reflecting on beauty, faith, and human finitude.The study underlines Isahakyan’s endeavor to reconcile the human and the divine, matter and spirit, East and West, within a harmonious and universal vision.Thus, the article presents his work as a mystical and intercultural meditation, where narration becomes a space of dialogue between civilizations and the spiritual values of humanity.

KeywordsGod Saadis Last Spring Omar Khayyams argument with God Genghis Khan Li-Tai-Po Vava Sarkis Khachatryan Maeterlinck Paradise Lost Hafez Eastern literary heritage divine silence Rilke Hugo mysticism Baudelaire human condition